I cannot remember a particular day
when I was initiated into the world of music. It was a part of me
from as early as I can remember. Indeed, I cannot think of a moment
when music has been separated from my life. My father, the legendary
sarod maestro, Ustad Haafiz Ali Khan Saheb, lived for music. For
him, life itself was music. And so I came to inherit from him the
legacy of five generations of musicians.
What is music? There may be any number of
scientific explanations about pitch and vibrations, but it is
difficult to explain how sound becomes music. It has more to do with
human nature. Music is a unique and precious gift of God to mankind.
Music is a celebration of life. The wonderful truth is, any music,
from anywhere in the world, is based on the same seven, beautiful
musical notes. These seven notes are the alphabets of a universal
language. Of the seven notes, the first and the fifth are fixed
while the remaining notes have sharps and flats, making a total of
12 notes. Music has been in practice for at least 5,000 years, yet
we have not been able to discover a 13th note! Music has many faces.
Conversation, recitation, chanting and singing are all part of
music. Musical vibrations can convey moods and emotions, and have
the ability to mould our consciousness. Different types of music can
have different effects on the mind. Music can either be vocal or
instrumental. Vocal music appeals to most of us because of its
poetical or lyrical content. Instrumental music on the other hand,
such as what I play on the sarod, is pure sound. It needs to be
experienced and felt. Since there are no lyrics, there is no
language barrier between the performer and the listener. A wonderful
and strange mystery of Indian classical music is the fact that one
can spend a lifetime trying to attain knowledge and perfection, and
still feel that one as only touched the tip of the iceberg. The
learning never stops, and the understanding of music changes with
each passing year in a musician’s life. This is true sadhana.
When I am able to get across to my audience, when
I can get them involved, I find my listeners giving me the
inspiration to create that special atmosphere, the ambience, where
music, musician and audience become One. A great deal of importance
is given to tradition in Indian classical music. In fact, tradition
and spirituality are the backbone of classical music. They form the
foundations for the teaching system or the structure of ragas and
talas.
Music is the greatest wealth that I inherited
from my forefathers, and I am constantly sharing it with my
disciples. My other inheritance was the house of my birth in Gwalior
, Madhya Pradesh, the birth place of four generations of my family.
Today, it houses ‘Sarod Ghar’, a museum of musical heritage; a
tribute to my guru, and to all our great musicians. It houses, apart
from the instruments of my ancestors, the instruments and artefacts
of great musicians from all over the country. Should you find
yourself in the vicinity of Agra , you are most welcome to visit
this humble house of music in neighbouring Gwalior .
Sixty years since India’s Independence ... along
with development, Indians are beginning to lose their inherent
tenderness. This tenderness, in the earlier years, was encouraged by
an emphasis on culture, music, dance, art and education. In the
absence of such an emphasis, I believe that our traditions,
identities and values are gradually eroding.
(Excepted from an article, courtesy The Week)